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With the new 1084 in hand, I have every intention of driving this channel strip deep into its sweet spot and beyond, seeing just how close we can get to that revered, rich, punchy Neve sound.Īs mentioned, the key to Universal Audio’s Apollo workflow and sound is Unison Technology.įor the uninitiated, Unison employs the Apollo interface to match the impedance and total gain range of the target hardware unit, along with the same exact gain stage sweet spots, clip points, and unique circuit behaviors-all while offering an equal or better noise floor.Īll of this helps create an unprecedented two-way relationship between your hardware while working in the digital realm. It is truly remarkable the difference in your printed tracks coming out of the UA Console if you’re comfortable committing to some processing on the way in.
#UAD NEVE 1073 PREAMP SERIES#
The “golden unit” that the 1084 Preamp & EQ was modeled after was pulled from an original Neve 80 Series console, along with its original P&G output fader.Īdmittedly a bit late to the game, I only recently dove head first into the UA Unison workflow thanks to quarantine. This module, originally released in the early 70s on the heels of the massively successful 1073 channel amplifier, featured an expanded three-band EQ which provided producers and engineers with an even more lush palette to further color their tracks. Though not the first Universal Audio emulation to bear the Neve name, the new Neve 1084 Preamp & EQ is the first and only AMS Neve-endorsed 1084 emulation the world has seen.
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When you’ve got the authentic sound of recorded music’s most lauded front-end gear, coupled with the power of Universal Audio’s Unison Technology-and the high-end components their Apollo interfaces are loaded with-you’ve got a recipe for some very pleasing sounds. Universal Audio unleashes the Neve 1084 Preamp & EQ-can this emulation deliver the authentic 1084 sound to your DAW?īoth Neve and Universal Audio are names that need no introduction.